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Films about Queer History

 

Vita Sackville-West (1892 - 1962)

Online Resources
Texts:  Vita Sackville-West
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All Passion Spent

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Saint Joan of ArcSaint Joan of Arc by Vita Sackville-West

Vita Sackville-West wrote Saint Joan of Arc in 1936 at the age of forty-four, and had, at that point, already been writing for thirty years. At fourteen, Sackville-West published her first book, and at fourteen Joan of Arc first heard the voices. Joan was seventeen when she took command of the armies of France--a peasant girl in the early fifteenth century in charge of a nation's forces. At nineteen she was captured by the British and tried as a witch by a church court. Before her twentieth birthday she was burned at the stake. In 1920 she was canonized by the Roman Catholic Church as a saint. In a clever, brisk voice, Vita Sackville-West tells the triumphant story of a French peasant girl raised in a country torn apart by the Hundred Years' War who rose from poverty to military greatness. With dazzling insight and clarity, Sackville-West breathes new life into Joan of Arc's beautiful and tragic story. 

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Vita and Virginia : The Work and Friendship of V. Sackville-West and Virginia Woolf by Suzanne Raitt

This book examines the creative intimacy between Vita Sackville-West and Virginia Woolf, interpreting both their relationship and their work in the light of their experience as married lesbians. The contradictions and conflicts of their situation are worked out through the construction of different narratives of femininity, in letters, novels, diaries, and other texts. Vita and Virginia looks at the two women's continual renegotiation of what it means to be female, and suggests that the mutual exchange of different versions of "womanhood" is crucial to the development of their friendship. Orlando, for example, was Virginia Woolf's way of threatening Sackville-West with the extent of her own knowledge about her, as well as the celebratory love-letter it is usually assumed to be. The book also offers readings of both women's autobiographical texts, and a long-overdue study of Vita Sackville-West's work as a biographer and a novelist. Emphasizing also wider contexts, this study examines the links between homosexual desire and literary innovation, public politics and private lives. It provides an invaluable perspective on the relations between sexuality and feminism in modernism.

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Vita Sackville-West

By Petri Liukkonen

Excerpt:

English poet and novelist, born into an old aristocrstic family, proprietors of Knole House in Kent. Vita Sackville-West wrote about the Kentish countryside and was the chief model for Orlando in Virginia Woolf's novel of that same title from 1928. Her best known poem, THE LAND, celebrates the Kentish countryside and was awarded the Hawthorne Prize in 1927...

  

Vita Sackville-West

From The Knitting Circle

In 1913 she married the diplomat Harold Nicolson and travelled with him to Persia which is described in Passenger to Teheran, 1926. They had two sons, Nigel and Benedict. Their marriage survived despite his homosexuality and her own lesbian affair with Virginia Woolf who she met in 1922.

While engaged to Harold Nicolson she had a passionate secret love affair with Rosamund Grosvenor.

When married she caused a scandal by having a very public affair with Violet Keppel. Their affair continued after Violet married and became Violet Trefusis in 1919. The affair reached a climax when they went away together to Paris, and Denys Trefusis and Harold Nicolson sought them out and persuaded their wives to return to their homes. The affair was fictionalised in Vita Sackville-West's novel Challenge, (1924), with Julian representing Vita Sackville-West.

 

Love Between Women:  Vita Sackville-West

From sappho.com

Letters hosted on this site:

To Virginia Woolf, January 21, 1926
To Virginia Woolf, January 29, 1927
To Violet Trefusis, September 3, 1950

Excerpt:

I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldn't even feel it. And yet I believe you'll be sensible of a little gap. But you'd clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan't make you love me any the more by giving myself away like this --But oh my dear, I can't be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don't love. I have brought it to a fine art. But you have broken down my defences. And I don't really resent it...

  

Vita Sackville-West

By Suellen Cox, Coordinator of Bibliographic Instruction, University Library, CSU Fullerton

This page lists bibliographies.

 

The Vita Sackville-West and Harold Nicholson Manuscripts, Letters and Diaries. From Sissinghurst Castle, Kent, the Huntington Library, California, and Other Libraries

 The collection represents the first survey of the Vita Sackville-West manuscripts in the Sissinghurst Collection. It includes over 200 works of her published poems, plays, novels, non-fiction works including her family history, travel, works and the talks she gave on BBC radio, as well as a collection of her husband's diaries, plays and war-time letters.

Many of her relationships with both men and women are portrayed in her work, the most famous being with Virginia Woolf, who celebrated her as "Orlando" the eponymous hero/heroine of her novel. Some of the items included in this collection are: a collection of juvenilia, poems and stories dealing with her schooldays, much of which is written in French; unpublished novels including Ciry and Lily (1910), Behind the Mask (1910) and The Dark Days of Thermidor; a collection of impassioned verse written to Mary Campbell (wife of poet Roy) between the years 1926 and 1930; the original working manuscripts of many of her novels including Heritage and The Dragon in Shallow Waters; working notes for The Edwardians and All Passion Spent; the manuscripts of her famous non-fiction works Passenger to Teheran and her biography of Aphra Behn; and, gardening notes made while planning the splendid Sissinghurst Garden.

In addition, the correspondence collection includes not only the letters of Vita Sackville-West, but also those of her husband Harold Nicolson to E.M. Forster, Rosamund Lehmann and Clive Bell, and notes for his biography of Tennyson, his biography of George V, and his diaries from 1910 to 1961...

 

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