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Lesléa Newman (1955 - )
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Heather
Has Two Mommies by
Lesléa Newman, Diana Souza (Illustrator)
This handsome 10-anniversary edition of a minor
classic presents the story of Heather, a preschooler with two moms
who discovers that some of her friends have very different sorts
of families. Juan, for example, has a mommy and a daddy and a big
brother named Carlos. Miriam has a mommy and a baby sister. And
Joshua has a mommy, a daddy, and a stepdaddy. Their teacher Molly
encourages the children to draw pictures of their families, and
reassures them that "each family is special" and that
"the most important thing about a family is that all the
people in it love each other." In the afterword, the author
(whose other children's books include Matzo Ball Moon)
explains that although she grew up in a Jewish home, in a Jewish
neighborhood, there were no families like hers on the television
or in picture books. She came to regard her family as somehow
"wrong," since there was no Christmas tree in the living
room and no Easter egg hunt. Whatever the religious right may wish
to think about nontraditional families, there is no denying that
any child enrolled in an American school will encounter friends
with single parents, gay parents, stepparents, or adoptive
parents. This new, revised version of Heather Has Two Mommies
offers an enjoyable, upbeat, age-appropriate introduction to the
idea of family diversity. The book is essential for children (ages
2 to 6) with gay parents or family members, and a great addition
to a Rainbow Curriculum. --Regina Marler
Girls
Will Be Girls by
Lesléa Newman
The 11 short stories and one novella in Girls
Will Be Girls may satisfy, for the moment, Leslea Newman's
large, enthusiastic readership, who will relish her arch humor in
stories like "Eggs McMenopause," in which a woman of a
certain age decides that the only way she can grasp the fact of
her many shed eggs is by buying several hundred chicken eggs at
the grocery store, a few dozen at a time, and distributing them
around her small apartment. In the titular novella, Newman turns
her attention to infidelity, hovering between the comic and the
tragic as she describes the breakdown of a long and stable (read:
static and dull) relationship between Gwen, a therapist, and her
artist girlfriend, Didi, who "couldn't have asked for a more
considerate lover. No, what she wanted was a less considerate
lover.... A lover who didn't care if her teeth were brushed or if
she was going to rip Didi's dress or ruin her brand new
manicure." What happens when Gwen's handsome new client gets
a look at Didi comes as no surprise, but Gwen's quirky revenge
will keep the pages turning. --Regina Marler
Pillow
Talk II : More Lesbian Stories Between the Covers by
Lesléa Newman (Editor)
The stories in this
second volume of the Pillow Talk series could be a lot worse and
still be fairly effective as erotica. As it happens, most of them
are well crafted and appropriately evocative, with an emphasis on
crossing boundaries. In J.L. Belrose's "Tyger! Tyger!" a
free-spirited lover liberates her girlfriend from a hopeless
relationship with her disapproving mother. In tatiana de la
tierra's "Eye of the Hurricane," the stone butch Sirena
barricades herself into a Florida apartment with her femme lover
Julieta, giving Julieta what may be one final present before the
storm overtakes them. Often the most successful of these tales
present classic fantasy material. The working-class butch heroine
of Lisa Gonzales's "Uncommon Janitors in Lust" finds
herself writhing on the desk of a brainy and gorgeous white-collar
worker who can also talk about football and car repair. One quick
glance at a beautiful black woman on a crowded New York City
subway, and the protagonist of Rosalind Christine Lloyd's
"subway ride 4 play" manages to invite an unconventional
encounter that leaves them both trembling and disheveled. Fully
living up to the promise of Pillow
Talk , these stories merit a place on the bedside table
beside the Herotica
series and Cleis Press's Best
Women's Erotica. Anyone who still assumes that lesbian
erotica is tame or badly written is now seriously out of touch. --Regina
Marler
Also Available:
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Lesléa Newman is an author and editor with
thirty books to her credit including "Heather Has Two
Mommies", "A Letter To Harvey Milk", "Writing
From The Heart", "In Every Laugh a Tear", "The
Femme Mystique", "Still Life with Buddy", "Fat
Chance" and "Out of the Closet and Nothing to
Wear".
She has received many literary awards including Poetry Fellowships
from the Massachusetts Artists Fellowship Foundation and the
National Endowment for the Arts, the Highlights for Children
Fiction Writing Award, the James Baldwin Award for Cultural
Achievement, and two Pushcart Prize Nominations. Five of her books
have been Lambda Literary Award Finalists.
Ms. Newman wrote "Heather Has Two Mommies", the first
children's book to portray lesbian families in a positive way, and
has followed up this pioneering work with several more children's
books on lesbian and gay families: "Gloria Goes To Gay
Pride", "Belinda's Bouquet", "Too Far Away to
Touch", and "Saturday Is Pattyday".
She is also the author of many books for adults that deal with
lesbian identity, Jewish identity and the intersection and
collision between the two. Other topics Ms. Newman explores
include AIDS, eating disorders, butch/femme relationships and
sexual abuse. Her award-winning short story, "A Letter To
Harvey Milk" has been made into a film and adapted for the
stage.
In addition to being an author, Ms. Newman is a popular guest
lecturer, and has spoken on college campuses across the country
including Harvard University, Yale University, the University of
Oregon, Bryn Mawr College, Smith College and the University of
Judaism.
Current projects include a recently completed novel about sexual
abuse entitled "Jailbait", and several pictures books
including "Runaway Dreidl", "My Name is Aviva",
and "Cats, Cats, Cats".
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Interviewed by Ron Hogan
Her 1996 anthology My Lover is a Woman (Ballantine)
collects poems from several poets. There were no restrictions
placed on the material or subject matter. "They wanted a
collection of lesbian poems," she says, "and that's what
they got," with no compromises for mainstream sensibilities.
Newman is pleased with the results, and with the total support
that Ballantine has given the project.
Excerpt:
RH: How did this anthology get started?
LN: An editor at Ballantine Books thought of the
project and asked me if I wanted to do it, which was a great
honor, and also slightly terrifying. After preparing a book
proposal, which was accepted, I went about selecting poems.
RH: Tell us about your selection process.
LN: What I did was collect poems by writing to
poets that I knew who I wanted to have involved. Then I read
through all the lesbian poetry that I could find in single- writer
collections, anthologies, literary and lesbian magazines, then put
out calls for material in lesbian magazines and writers'
magazines. After I acquired a big pile of material, I split that
into "Yes", "No" and "Maybe" piles.
The open call in magazines swamped me, but I got
several writers who had never been collected before, some who had
never been published. But it meant reading through literally
pounds of poetry...
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Elisabeth Sherwin, January 30, 2000
Excerpt:
Leslea Newman gave her first public reading from
her new collection of short stories, "Girls Will be Girls...,"
earlier this month at the Women's Resources and Research Center's
writers series.
Newman, a spokeswoman for both the Jewish
community and the lesbian community, read three versions of the
same story "all of which are true and all of which are
different."
She read poetry from "Still Life With
Buddy"; "Too Far Away to Touch," a story for
children, and a short story from her new collection,
"Whatever Happened to Baby Fane?" Each of these readings
involved a man dying of AIDS.
"I have lost three friends, all male
writers, to AIDS," she said.
The question she is most frequently asked about
her work is this: Was that story true? On the one hand, to be
asked that question is a compliment, she said, because it
indicates that the reader was convinced by the material. On the
other hand, the question is somewhat insulting because it denies
the writer the strength of her craft...
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Names Index:
A B
C D
E F
G H
I J
K L
M N
O P
Q R
S T
U V
W X
Y Z
| Authors
Index | Scholars
Index |
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